Working full time on the Social Web

In January 2026, I will begin working full time in my role as Director at the Social Web Foundation. I am looking forward to the challenge of growing this young non-profit and fulfilling our mission to make a bigger, better Fediverse.

As a refresher: I have been working in the area of federated social networks since starting Identi.ca in 2008. Federated social networks are social platforms that let users on one platform connect to and interact with users on another platform. Linked up with open standard protocols, these platforms together form a Social Web that puts people first.

In 2018, I was a co-author of the ActivityPub standard for social network interoperability. I currently maintain the spec for the W3C and develop extensions for it. In 2024, I wrote ActivityPub: Programming for the Social Web for O’Reilly Media. And I co-founded the Social Web Foundation to further encourage the use of ActivityPub in social networks.

For the last year, I’ve been working nights, lunchtimes and weekends on SWF while holding down my full-time role as Director of Open Technology at the Open Earth Foundation. I love working at OEF; the organization build Open Source software to help cities fight climate change. I have felt very fulfilled in my work there, and I’ve made really strong friendships with the team. It’s been a very special place to work that has changed how I think teams can be.

But over the last year, SWF has had some really amazing opportunities, and in 2026 we’ll be making some big steps forward for the Social Web. I can’t keep doing both jobs, and I feel like, after 4 years at OEF, I’ve done what I can to build up that organization, and I am ready to start on this next one.

It will feel good to have my full attention focused on the Social Web. I’m looking forward to seeing my Open Source friends at FOSDEM 2026 in Brussels at the end of January where I’m helping to organize the Social Web track. I’m speaking at Princeton mid-February, and I’ll be in the Bay Area at the beginning of March. All this time, I’ll be working hard to get the next version of ActivityPub released and to push out several software projects to make the Social Web more fun and interesting.

Thanks to everyone who’s put time, effort and help into the SWF. Thanks to my coworkers at OEF for encouraging me on my next steps in my career. Thanks to my wife and family for tolerating yet another leap into the void.

I hope you have as exciting a New Year as I will.

#activitypub #career #job #socialweb #swf

All Projections Suck, So Play Risk on a Globe Instead

The worst thing about the getting people together is when everyone starts fighting over their favourite map projection– maybe you like the Watterman Butterfly, but your cousin really digs Gall-Peters, and that one Uncle who insists on defending Mercator after a couple of beers. Over on Instructables [madkins9] has an answer to that problem that will still let you play a rousing game of Risk– which will surely not drag on into the night and cause further drama– skip the projection, and put the game on a globe.
The pieces are from a 1960s version. The abstract tokens have a certain charm the modern ones lack.
Most globes, being cardboard, aren’t amenable to having game pieces cling to them. [madkins9] thus fabricates a steel globe from a pair of pre-purchased hemispheres. Magnets firmly affixed to the bases of all game pieces allow them to stick firmly to the spherical play surface. In a “learn from my mistakes” moment, [madkins] suggests that if you use two pre-made hemispheres, as he did, you make sure they balance before welding and painting them.

While those of us with less artistic flair might be tempted to try something like a giant eggbot, [madkins] was able to transfer the Risk world map onto his globe by hand. Many coats of urethane mean it should be well protected from the clicking or sliding magnet pieces, no matter how long the game lasts. In another teachable moment, he suggests not using that sealer over sharpie. Good to know.

Once gameplay is finished, the wooden globe stand doubles as a handsome base to hold all the cards and pieces until the next time you want to end friendships over imaginary world domination. Perhaps try a friendly game of Settlers of Catan instead.

hackaday.com/2025/12/30/all-pr…

Neon Clash: Echoes of the Lost Review (Nintendo Switch)

Release Date: December 25, 2025 (North America)
Developers: Voltage Inc.
Publishers: Voltage Inc.
Platforms: Nintendo Switch
ESRB Rating: T (Teen)

STORY

Kumyo: The land of neon lights and fleeting pleasures.

A land where if you don’t step on others to get to the top, you’ll only sink to the bottom. Effort means nothing. Charity? Forget about it.

Kroa is an underground courier at the bottom of the barrel. In order to survive life in Kumyo, the youth have turned to the mafia life to fight for power. The mafia is a violent criminal organization shunned by the public. However, there was one family both respected by fellow mafioso, and adored by the general public.

Their name was the Liu family.
11 years ago, the Liu family was exterminated.

But once the sole surviving member, Gante Lowd, crosses paths with the rightful heir, Liu Kroa, the wheel of fate begins to turn once more.

ART AND MUSIC

I love Neon Clash’s overall visual aesthetic. The artwork is beyond beautiful and I am completely enamored with the game’s art style. The CGs especially, are insanely pretty! All the while being very emotional and very impactful! On top of that, the LIs have multiple sprite variations, and their outfits are really stunning. We have none other than the Japanese illustrator, Takaoto thank for all of Neon Clash’s gorgeous glory, which appears to be their first full otome game project. I sincerely hope they’ll have more otome projects in the future because their art style to me, is crazy gorgeous!

As for the game’s staff, the writing team is led by Ririka Yoshimura, who is widely known for also being the lead scenario writer for Cupid Parasite and Despera Drops. The game’s overall director is Ichika Shina, an in-house director for Voltage Inc.

Neon Clash: Echoes of the Lost also has one of the most banger OPs this year. The OP theme, Shangri-La, was by far one of my favorite otome OST of 2025. I also really enjoyed how vibrant the BGMs are in this game; I think they mesh pretty well with the neon Chinese aesthetic of this title, which I’m really loving btw. The game’s BGMs are by Shunsuke Tsuchiya of Procyon Studio, who also composed for Even if Tempest, Black Wolves Saga, KgK, and a few other otome game OSTs in the past.

Voice Acting

Yuichiro Umehara as “Gante Lowd” – Alfred (Mistonia’s Hope), Paschalia (Radiant Tale), Serge (Genso Manege), Kohei Minato (Sympathy Kiss), Benkei (Birushana), Canus Espada (Café Enchanté), Enishi (Jack Jeanne), Demento (Period Cube), Shingen Takeda (IkeSen), Sage (Nekopara Catboys Paradise), Rain (Shiro to Kuro no Alice), Oochidori (Touken Ranbu)

Shunichi Toki as “Sun Maslo” – Hibiki (9RIP), Dahut (Virche Evermore), Leo (Piofiore), Yakumo (Dairoku), Hibie (Winters Wish), Matsui Go (Touken Ranbu), Mousse Atlas (IkeRev), Yuki Rurikawa (A3!)

Jun Fukuyama as “Sodyk Mun” – Ascot (Mistonia’s Hope), Karatachi (Illusion of Itehari), Mizuchi (Hana Awase), Tomomori (Birushana), Vyn Richter (Tears of Themis), Mozu (BUSTFELLOWS), Goro Fujita (Meiji Tokyo Renka), Liberta (Arcana Famiglia), Rin (Togainu no Chi), Aido (Vampire Knight), Tokiwa Etsuya (Dairoku), Goke Kanimitsu (Touken Ranbu)

Ryota Suzuki as “Zhang Hiyok” – Lucas (Mistonia’s Hope), Ash (Despera Drops), Koyo (9RIP), Ginnosuke (Him, the Smile and bloom), Yona (Tengoku Struggle), Kiito Minorikawa (Jack Jeanne), Trey Clover (TWST), Ink (Gunka Haita Neko), Caster (FGO), Mizuro Tamaki (Tokyo Ghoul)

Takeo Otsuka as “Mazho Meqrin” – Jinshi (The Apothecary Diaries),Elbert Greetia (IkeVil), Sunday (HSR), Luke (Chaos Zero Nightmare), Miyabi (UN:Logical), Katsu (Shinjuku Rashoumon), Yuen Hu (Shinjuku Soumei), Kanata (Angelique Lumenarise), Remnan (Gnosia), Joshua Rosfield (FF16)

Yusuke Kobayashi as “Shelby Zhiho” – Flynn (The Red Bell’s Lament), Tomonari (Winters Wish), Hira (Dairoku), Byleth (FE Engage, 3H), Shinano Toushiro (Touken Ranbu), Suwon (Yona of the Dawn), Yuli Norbert (MidCin), Manai Tomoki (Sweet Clown), Xavier (Love and Deepspace), Ugetso (Utakata no Uchronia), Kiyoshi Kurotani (Persona 5), Senku Ishigami (Dr. Stone)

Hana Shimano as [strong][em]“Shelby Zhia”[/em][/strong] – Himari Kino (Whisper Me a Love Song), Mako Kawai (Food for the Soul)

Kazuyuki Okitsu as “Yuan Gonglu” – Ankou (Virche Evermore), Yoji Kobase (Sympathy Kiss), Atsushi Daikoku (B-PROJECT), Tsukuyomi (Olympia Soiree), Epilogi (Café Enchanté), Hachisuka Kotetsu (Touken Ranbu), Dante (Jack Jeanne), Ray (EPHEMERAL), Kuya (NU Carnival), Kyrie (Ozmafia!!), Keith Knight (Iris School of Wizardry)

Shinnosuke Tachibana as “Shao Feng” – Himeutsugi (Hana Awase), Seiya (9RIP), Koizumi Yakumo (Meiji Tokyo Renka), Camu (Despera Drops), Xiaolei (Battlefield Waltz), Henri (Piofiore), White Mask (Bad Apple Wars), Kousei (Ayakashi Koi Gikyoku), William Rex (IkeVil), Koryu Kagemitsu (Touken Ranbu), Rafayel (Love and Deepspace)

Eiji Takeuchi as “R”– Riley Randolph (Mistonia’s Hope), Hitoya Amaguni (Hypnosis Mic), Sumio (Yatagarasu: The Raven Does Not Choose Its Master), Rafa (Borderlands 4), Hide (Nioh 2), Nobutaka Osanai (Tokyo Revengers), Takefumi Kawada (The Devil is a Part-timer)

Kazuhiro Yoshimura as “Xiadun Jue” – Shioji (Illusion of Itehari), Oleander (The Red Bell’s Lament), Alest (Radiant Tale), Minegeshi (Collar x Malice), Ten (Cafe Enchante), Maki (Side Kicks!), Souji Kamishiro (Suika Niritsu), Pepe (Bustafellows)

Haruki Ishiya as “Yunzi Yulong” – Toichi Nagayama (Jack Jeanne), Jiro (Hypnosis Mic), Roger Ward (Metaphor: ReFantazio), Toru (Slow Damage), Louis (FE Engage), Sebek Zigvolt (TWST), Makoto Shizuo (Prince of Stride), Haku (Gunka o Haita Neko), Mikado (On Air!)

Taishi Murata as “Kyochu Yona” – Kaina (Olympia Soire), Idaeus Glodell (Metaphor: ReFantazio), Tokugawa Iemitsu (Ken ga Kimi), Takeshi Efuku (Prince of Stride), Seth Hyde (IkePri),

CAST AND CHARACTERS

With Neon Clash being AmuLit’s third otome console game installment, it has become clearer to me that the studio really does have its own distinct narrative formula. If you’ve played their previous two titles, Even if Tempest and The Red Bell’s Lament, you’ll notice a similar structure shared with Neon Clash, where in the story progresses in a largely linear fashion, and the romance endings only unlock after the main story has been cleared.

That said, this title does not have any branching individual routes in the way conventional console otome games do. Instead, the romance endings only become available after you’ve completed the TRUE Ending of the game. Each chapter has the heroine spending time with a specific love interest:

• Chapter 2: Lowd
• Chapter 3: Maslo
• Chapter 4: Mun
• Chapter 5: Hiyok
• Chapter 6: is the final chapter that wraps up the story and leads into the endings.

In a way, this format kinda plays out similarly to how Chinese mobile otome games structure their stories (think Tears of Themis, LaDs, MLQC, etc.), where there’s one overarching main story and each chapter is dedicated to a particular love interest.

As for how the story benefits from this type of formula, it certainly depends on the kind of narrative the writers present in the main game. Personally, I wasn’t a fan of how it played out in The Red Bell’s Lament, but I did enjoy the same formula in Even if Tempest. With Neon Clash, I think this approach works well here too, especially given how impressively fast-paced and eventful the main story is. I’ll save more of my detailed thoughts for my “overall impressions” section below, so please keep reading!😁

Walkthroughs:

• TRUE End
• SAD End

[strong]Note: The CGs shown below are promotional images for the game, Neon Clash: Echoes of the Lost. All spoiler-related content in this review will be hidden behind a spoiler drop-down, that you can choose to view at your own discretion.[/strong]
⬇️ Click to view Content Warnings
Violence, gun violence, public shooting, murder, mass murder, death, blood, decapitation, discrimination against other nationalities, class system, marginalization, poverty, sexual assault, manipulation, gaslighting, drug abuse, drug addiction, kidnapping, abduction, alcohol abuse.

GANTE LOWD

• god bless the hot loyal mafioso priest 🙏📿
• Lowd in a nutshell… 🤭🤭🤭

A mafioso through and through who was adopted and raised by the original Liu family. He works as a priest in a church in Taozhe, with hopes to one day rebuild the Liu family.

I love Lowd! And Umehara seems to have nailed this character down to a T. What a perfect match! Lowd also became one of my fav LIs in the game, and one I’ll probably think of fondly from now on.🥺 He was such a great character and love interest. The man stayed steadfast and loyal until the very end. It actually hurts how unwavering his devotion to the heroine is.😭 Through all the hardships, he remained by her side, for better or worse. I really don’t have any qualms or complaints about this LI.

After finishing all the romance endings in this title, I also think Lowd had the best romantic relationship with Kroa. Personally, I found their chemistry as a couple the most convincing and satisfying. I’m still brainrotting over his romance ending as we speak! I needed more chapters!

⬇️ Spoilers
OH MAAAHH LOWWWD!🥵🥵🥵 I am down bad for this man.

I think out of everyone’s romance endings, Lowd’s felt the most natural and intimate. And perhaps this is because of how closely he and Kroa bonded during Chapter Two. It was also the only chapter where the heroine openly admits that she’s in love with someone before entrusting her feelings to her gun, Dilu. While she does something similar with the other LIs, she usually refers to those emotions as “budding feelings.” With Lowd, however, she literally jumped in front of a bullet for this man.

With Dilu nullifying at the end, it makes sense that the most impactful “romantic” feelings she carries are tied to Lowd. After all, he was the very first man she ever developed genuine feelings for. And let’s be real, among everyone Lowd was the one who remained steadfastly by her side the entire time. He never strayed, never did anything to hurt her (whether intentionally or accidentally), never manipulated her, and never forced her feelings. He was also never intrusive, and consistently respected her both as a woman and as the head of the Liu family.

Also, the love endings were all so random, dumb, and silly…but I absolutely ate all the fluff up. After everything they’ve been through, they deserve to just lay back and be dumb and silly for once. 😭

On a different note, I was reading Umechan’s commentary about Lowd, and was kinda shocked that he’s also a Romance of the 3Kingdoms nerd and was even basing Lowd’s character on Guan Yu from the series. He mustve felt giddy having to voice a character inspired by his own fav character from the show.lol So that was a nice little fun fact. I also felt like he did such an amazing job as Lowd, and I really couldn’t imagine anyone more suitable for the role.

SUN MASLO

• not a shota 👀😏🤭
• when that maslo beat drops…

Maslo is the boss of a small-time mafia from the countryside. He’s a friendly guy, and the last sort of person you’d expect to be leading a criminal organization. Aside from being part of the mob, he’s active as a popular DJ and song-writer.

Oh my beautiful pink boy! I am also down bad for Maslo… him, his character design and his designated BGM. (laughs) 🤣 Sometimes I intentionally leave the game idle just to listen to his dj vice track, lmao. But on a more serious note, Maslo was a really interesting character, no? And I can’t help but feel like the game could have done so much more with him if he had a proper individual route. In fact, this applies to all of the LIs. There was just so much untapped potential for us to explore more of them in greater depth, if their routes were longer.

Maslo and Kroa’s interactions in chapter three, I have also really enjoyed,🥹and his romance ending had one of the most beautiful CGs in the game. Although, I have to say, it’s his sad ending that completely cemented him as my new oshi.👀

⬇️ Spoilers
I just feel like the writers probably had Maslo’s route skeletally structured around him being the designated yandere of the story. However, because of the game’s linear storyline, they scrapped this off and held back! My poor boy! 😭 I really think he didn’t get to shine as much as he deserved because of “plot”. As much as I’m enjoying the game overall, this is kind of the downside of games having linear plotlines; the character depth usually gets shoehorned.

Regardless, I still absolutely love Maslo. I was a bit miffed that his romance ending felt like an exposition dump of his backstory, but that beautiful kiss CG under the sakura tree compensated for it, so I guess its’ all good.(cackles) 😂 I also wanted to get a spicy CG of him and Kroa, making out backstage of his club and I can’t help but feel like we were really robbed of that visually!😭😭😭 His happy end was the only one that did not get a “bed ending” lmao although his sad ending compensated for that!😂 PLS I NEED A FANDISK! I BEG!

SODYK MUN

• the cleavage is doing crimes
• manipulation never looked this good

The boss of a huge mafia, Mun is considered the only one capable of competing with Biying. The public knows him as the young president of a big company, thanks to his many media appearances. Mun’s natural charisma tends to win him a lot of admirers.

Oh, Sodyk Mun… the man that you are… This is yet another straight-up “I can fix him” FukuJun character fresh outa the oven! Damn, what a smooooth guy. I was grinning the whole time playing Mun’s chapter (Chapter 4) in the game. The dude was just seductive, entrancing, smooth like butter. Though, I have to admit, playing his chapter also made me really nervous. It’s one of those instances where everything feels so right, but you can’t shake the feeling that something is… just off. Ha!🤣🤣🤣

I think Mun’s chapter was probably my favorite in the story. I can’t even allow myself to put the game down, his persuasive nature was literally working its way like cancer. The way his character was written, and how Fukuyama played this out was chef kiss, I have no words! I think Mun is going to be a fan favorite because, man oh man, how could anyone resist being completely swayed by this guy?

⬇️ Spoilers
The instant Mun suggested segregation with his class system BS, alarm bells started ringing in my head from all directions. My dude, NO!😭 How could anyone think segregation was a good idea? Even if he was preaching that it was the “best way” to maintain order in Kumyo, NO, NO, NO!!

Mun’s chapter I have to say was probably the one I had enjoyed the most because you can clearly see how deceptive and exceedingly manipulative he is, and I loved how vulnerable Kroa was here as well. She knew the man was making her dance around his palm, but she bit into the trap anyway. Her realization later that something was seriously wrong and that she needed to break free before Mun completely devours her whole and successfully makes her his pawn was such a good story climax.

I also loved the part where she starts noticing herself becoming like Mun while interacting with the Liu capos, and it takes Rin confronting her to snap her back to reality and see Mun’s true colors. That scene was absolutely peak!

If you think about it, Mun was the most dangerous and formidable enemy of the Liu family. The dude was a master manipulator! He manipulated everyone around him: his capos, the entire Sodyk family, the government officials in Kumyo, the police, and law enforcement. They all really believed he was the righteous man he made himself out to be. He even manipulated R, sending him to an early grave, and Zhiho, who ended up betraying the heroine and throwing a wrench into their infiltration plan.

On a side note, I can’t help but think that Mun and Kroa’s dynamic leans into the “lovers to enemies” trope where they start off as close, almost like lovers, and then fate throws them at each other’s throats. I’m really loving this trope in otome games lately! I usually only see it in reverse harem manga/manhwas so having this here was a nice touch.

ZHANG HIYOK

• resident himbo genki🥺
• golden retriever energy

A gangster from Taozhe. Hiyok is determined to protect the same Taozhe he was born and raised in, but in reality, his gang was only capable of recklessly, but unsuccessfully lashing back against the Zhuo family. When he downs a particularly strong alcohol, he becomes a whole different person, capable of taking down multiple men at once.

This game is now making a hako-oshi, because I also love Hiyok. The first time you’ll meet him, you can immediately sense just how precious and likable he is.🥺 Hiyok is another trusted and sworn comrade of our heroine, Kroa. Like Lowd, he is incredibly loyal and one of the Liu family’s strongest fighters. I’m a tad wistful though that his chapter only half-focused on him, especially since his final volumes were already converging with the main plot and heading toward the finale. I guess I just needed more fluff with this himbo.😭 On a different note, I wasn’t expecting his bad ending to turn out the way it did…but I kind of liked it. 😳👉👈

⬇️ Spoilers
He also keeps a diary! What a precious boy!😭
Kroa’s worries about Hiyok losing his feelings for her felt a bit anticlimactic, because in the end, he never really lost it. It was also pretty easy for her to win him back given Hiyok has always been fond of her. He even had a crush on her the first time they met.

Still and all, I absolutely loved how she worked to get him to like her again in Hiyok’s “happy ending.” It was nice to see her making the first move in everything, and seeing Hiyok turn into this blushing, genki mess was adorable. I love their dynamic as well! So much!😭 Again, I feel robbed of fluff with this man because the romance was too short; just as the cute, fluffy stuff was starting, the chapter was already over. 😭

LIU KROA (Main Heroine)

• cunning mafia princess
• best girl!

I love Kroa. She’s now one of my favorite otoge heroines! This woman has serious balls of steel. I was a little wary of her at first, since she came across as somewhat idealistic in the common route, and I had my doubts whether she could truly pull off being the Liu family boss. But as the story progressed, I realized, wow this girl can actually walk the talk.

She’s certainly physically strong, highly skilled with a gun, and more than capable of holding her own during a shoot-out. But its actually her unwavering determination and her intrepid sense of taking risks that got me on her side of the camp. As a mafia boss, she will be pitted in situations where she has to make bold and risky decisions, not just for herself but for everyone in the Liu family. My anxiety was through the roof every time she was served yet another obstacle right after overcoming the last one. The girl seriously could not catch a break!😭 I was nervous for her all the freakin’ time, but her resilience was mighty impressive and very infectious. I could truly feel that she earned every ounce of respect her capos give her.

Kroa is also a very flawed heroine, and that’s one of the things I love most about her. She knows what she is capable of and uses her strengths wisely, but she’s also aware of her limits and what she can’t do on her own. She makes plenty of mistakes throughout the game, and sometimes her risky decisions put both herself and her comrades in danger. She beats herself up over those failures, but what’s remarkable is how she learns from them, rubs the dirt off her face, gets back on her feet, and pounces back harder and stronger every time.🤧 My girl!! 😭😭😭I loved how she was written to be very capable without ever feeling grossly overblown, if that makes sense? She’s not the kind of heroine who’s all mouth and no bite, she doesn’t talk a big game or rely on empty bravado. I really couldn’t stop rooting for her, just like her capos who believed in her as their boss.🥹 BEST GIRL!!

SYSTEM AND LOCALIZATION

Before I get into the details of the game’s system, I just want to say in passing that the love catch for this title is so pretty! 😍 The butterfly animations were perhaps one of my fav design elements, aesthetically speaking, in this title.

As for the system itself, I think this is where most of my complaints lie. First of all, the font was rather tiny and not very visible, the kerning was also kind of awful and there was no way to adjust this. I play docked on my TV, so over time this became a non-issue for me. Next, and perhaps the thing that bothered me the most, is that the system overwrites its parameters after every ending you achieve (whether its the true end or sad end). What I mean is that after achieving, say, the“true ending”, the next time you restart the game from the very beginning, all your save files from the previous run become defunct, and are replaced by the new current progress in your present gameplay.

I think this is probably because of the game’s linear storyline, but as a completionist, it was kind of frustrating to unlock all the endings without having to restart from the very beginning of each chapter, or at worst, from the prologue. It became a nightmare to skip through scenes just to unlock different bad endings while trying different combinations of choices in the process. At the very least, the True End was easy to achieve all thanks to the love catch system.

PROS:

• Heroine name customizable
• SHOP – The boss’s grade points you collect can be spent here
• “Secret Information” in the EXTRA section –this is where all the short stories that you’ve bought from the shop are located.
• Terminology – the game’s glossary.
• Chapter Intermission
• Underground Newspaper – will show up after finishing a chapter.
• MAPS – shows which family rules over each territory.
• CHAPTER Select
• Love Catch System
• Skip READ and AUTO function
• Quick Save/Quick Load
• CG Library
• Movie Library

CONS:

• No heroine side sprite image
• Unvoiced Heroine
• SKIP Read’s fastest setting is slow.
• Lingering voice lines, even if you’ve skipped the character’s lines
• No Skip to Next Choice function
• No Flowchart
• No Sound Library
• Typos
• Parameters reset after every ending achieved.

Localization

The translations also seem pretty good. Since the theme involves the mafia and a lot of morally gray characters, there are naturally lots of coarse language thrown around which I think fits the game’s theme overall. Unfortunately, there are quite a few typos throughout the game. Not that they ruined gameplay, They didn’t bother me, but they’re definitely present, nonetheless.

TRAILER

youtube.com/watch?v=yPA6yvkZMb…

OVERALL THOUGHTS

I think my overall gameplay lasted about 40 hours total. This includes trying to unlock all the endings in the game and playing all the CCTV short stories in the “EXTRA” section. I was also playing blind, my switch docked, and was on auto mode most of the time. Technically, with a walkthroughand without auto-mode, you could finish the game in less than 40 hours.

AmuLit’s Linear Storytelling is back!

To start with, yes, Neon Clash unfortunately has a linear structure, similar to Even if Tempest and RBL. There are no separate branching routes for the guys. Instead, it plays out as one main story, with each chapter highlighting a specific LI.

Personally, I feel like the way these segments advanced wasn’t jarring or disjointed like in RBL, its predecessor. Each chapter introducing an LI flows smoothly within the story, and the MC’s bonding with her love interests doesn’t come off as forced (at least to me). The story kind of just naturally melds together without trying to shove anything in, if that makes sense. With that said, in my opinion, the linear structure actually worked pretty well here because of the game’s setting and how fast-paced all of the events unfolded.

As for how the heroine spends time from one LI to another, her relationships in the main story remain fairly ambiguous. There’s definitely some romantic pining going on, but they mostly come from the LIs’ side (kind of like how they do it in reverse harem animes). The heroine does emotionally acknowledge her budding feelings for an LI in every chapter, but the game somehow found a cheat code to progress the story without locking the romance into one specific guy. Shockingly enough, it made sense to me and worked well in favor of the overall narrative.😳

⬇️ Read spoilers if you’re curious about what I mean.
Around the end of Chapter 2 (Lowd’s segment), Maslo approaches Kroa and teaches her how to use her psychometry in reverse. Instead of reading emotions from objects, Kroa learns to store her own emotions into her gun, Dilu. This way, she can transfer all her strong feelings of love, romance, grief, regrets, sorrow to Dilu, and fully step into her role as a mafia boss and endure the territorial power struggles against her rivals without anything weighing her down.

I know it sounds goofy to dump your feelings into a gun lol. But I thought it was actually a pretty crafty way to move the story forward without making Kroa’s interactions with the LIs feel weird or awkward. She also makes it a point in the game to make sure that before her “budding feelings” develop further, she gets rid of them and entrusts them all to Dilu.

Being the head of the Liu family comes with a lot of consequences, so before any lingering emotions weigh her down, she chooses to do away with them. This is especially crucial given the many mistakes she makes throughout the story. In Chapter 2, she jumps out of formation to protect Lowd, which leads to the death of one of her capos, Zhia. Another instance where entrusting her feelings to Dilu becomes vitally relevant is during Mun’s chapter. As her most formidable foe, facing him head-on requires her to completely forget her personal feelings for him.

So yeah, in a way, this cheat sheet actually works really well in the narrative. I was very satisfied with how it was handled.

Romance of the 3 Kingdoms But Make it Mafia

For CN media aficionados, if it isn’t obvious, Neon Clash: Echoes of the Lost is actually heavily inspired by the famous Luo Guanzhong novel Romance of the Three Kingdoms. I was reading the director’s commentary on the game, and they mentioned that Satoshi Nohara, the producer, the staff themselves, and even the seiyuus were big fans of the series. Ngl, I think it’s kinda brilliant how they were able to interlace the power struggle theme from RoTK into a modern-day mafia story. I was also a fan of the series, (well, mostly the 2010 tv series and the old TRPG lol)😅 and I think the devs really drew a lot of inspiration from the original source and incorporated it beautifully into this game.

Even the game’s worldview, where you can see Kumyo’s map and how it shows which bases belong to which family as well as which family captured which bases after every chapter ending, draws heavily from RoTK, and I thought this was really clever!

I also loved how they adapted the Triad/Chinese mafia-gang style in the story, where the mafia is less formal, less rigid, and more chaotic compared to the American-Italian style mafiosos. I grew up watching HK cinema, and if you’re like me and loved gangster movies like Young and Dangerous, you will absolutely enjoy the intense, hard-hitting action-packed style that Neon Clash delivers. So yeah, this game was right up my alley, so to speak.

I feel like the producer’s vision was perfectly realized by the director, the scenario writer, and the rest of the staff. From reading the team’s commentaries, it’s clear that everyone was highly coordinated, and you can really see that synergy reflected throughout the game!

An Action-Packed Storyline with Multi-Faceted Characters

Plotwise, the tension in this game was insane. Our main characters go through relentless hardships, one after another. I was totally shook how vivid and strong their motivations felt (as if I was there with them lol). I spent the whole time gritting my teeth, wondering what would happen next? How are they going to make their next move? The story itself really felt like an intense battle of divide and conquer all the way up to the very end.

Whenever Kroa and the gang survived and achieved their goals (even for just a brief moment), I couldn’t help but smile and cheer with them. And whenever they suffered a loss, I cried right along with them too. It’s kind of amusing how invested I got in the story, now that I think about it!😅

This title is also pretty fast-paced. While the action-packed scenes in the story take place months apart chronologically, the game’s structure delivers them back-to-back, which kept the story momentum high, sometimes leaving you gasping for air.🤣(laughs)

I think I also liked the fact that, despite the storm of tragedy and chaos unfolding, the game still gives you enough breathing room to process things before throwing you into another spiral. What’s especially nice is that every conflict is born from a character’s own choices and missteps, so the chaos didn’t feel like some sort of arbitrary monkey wrench thrown into the plot for shock value. Most of the tragedies happen within reason and fit naturally into the narrative, so I was pretty satisfied with this aspect of the story. Also, keep in mind that since the story revolves around a modern-day mafia theme, the game can get pretty graphic and violent. So if these things make you queasy, please check the content warnings above.

The side characters were also a lot of fun. I had my favorite picks like R, Rin, the Shelby twins, Yulong, Shao Feng, Yona, and a whole lot of others. Gonglu was a piece of sh*t, but I have to admit, I was kind of infatuated with him at some point. (cackles).🙈

Just look at that sassy, scheming grin of his!😭

It’s also really hard not to like any of the LIs, as they’re all so distinctively well-written. This game turned me into a filthy box-pusher (hako-oshi) all over again, because I genuinely mean it when I say I’m down bad for every single love interest. I was so sure my top pick was Lowd after finishing all the romance endings, but as I’m writing this review, I keep brainrotting over Maslo. His story in the game was kind of shafted, which is a pity, but there’s just something about him that I’m really drawn to (maybe its his sexy neck frayglyph tattoo, who knows). 😏🤭So I guess, if I had to choose at gunpoint, I’d be rallying behind my beautiful DJ pink-kun!

You already have my heart, bb!😌

As for the romance, the confession scenes in the Happy Ends were all pretty silly, dumb, and hilarious, but I somehow inhaled every single one of them because I was STARVED for romance the entire time. After all the hurdles, and hardships these characters went through, they absolutely deserved to let loose and just be silly and dumb for once.

Having said that, if anything, what this title could’ve really benefited from, was more romance scenarios. I’m not saying there’s none because I think the romance in the individual “Happy Ends” was really good food (delicious, even). After all, the scenario is by the writer of Cupid Parasite, so you can definitely pick up their signature flair for spicing things up. However, the length of the epilogues just felt far too short to showcase an utterly satisfying fluff. I wanted more. More fluff and more spice! 😭 Maybe a fandisk could scratch this itch… please, Voltage, I beg!

Do I recommend this game? YES.
I…..really….. loooooved this game.😭 I realized I was also the target audience for this title. The ending was so satisfying to me, that I can overlook a few exposition issues because of it. It’s not often that I finish a title and sigh, “Man, that was great,” but that’s exactly how I felt after finishing Neon Clash: Echoes of the Lost. I don’t claim this title is flawless or perfect, but everything about it, from the beautiful cyberpunk Chinese aesthetics, the intense power struggle plotline, the modern-day mafia action-packed scenarios, to the exhilarating main characters that I’ve grown to love and care for, keeps calling me back every time. I’m honestly really shocked at how much this title has wormed its way into my top favorites.

How I wish I could forget this game so I could re-experience all the positive restlessness and edge-of-your-seat milliseconds I spent on it all over again. 😭 It was hell and back, peak! I was thoroughly entertained until the very last roll of credits, so yeah, this is an easy recommendation from me.

This title is currently on a 10% release month discount, so I don’t know what else to tell you. I’ve already bought sets of merch for this title, and I’m pretty sure this won’t be the last time I spend on it. If you care about peak storytelling and peak characters, absolutely play Neon Clash, by all means necessary.

#AmuLit #NeonClash #NeonClashEchoesOfTheLost #NeonClashEchoesOfTheLostReview #NeonClashReview #nintendoSwitch #OtomeGameReview #VoltageInc

TULIP: The Ultimate Intelligent Peripheral for the HP-41 Handheld Calculator

[Andrew Menadue] wrote in to let us know about the TULIP-DevBoard and TULIP-Module being developed on GitHub.

TULIP is short for “The Ultimate Intelligent Peripheral” and it’s an everything expansion board for the HP-41 line of handheld calculators sold by HP from 1979 to 1990. These particular calculators support Reverse Polish notation which seems to be one of those things, like the Dvorak keyboard, where once you get used to it you can never go back.

In doing the research for this article we came across the fan site hpcalc.org which has been online since 1997, although the Way Back Machine can only go back to late 1998. Still, we were impressed. It’s fun that the site still looks very much like it did 28 years ago!

The TULIP4041 is based around the RP2350 microcontroller which you might know as the heart of a Raspberry Pi Pico 2 board. The video below the break is a talk about the present and future of the TULIP project, and the slides are here: TULIP4041 – The Next Chapter.pdf (PDF).

Thanks to [Andrew] for writing in. If you’re interested in hacking the HP-41 check out HP-41C, The Forth Edition and Nonpareil RPN HP-41 Calculator Build.

youtube.com/embed/4R3ebXHAJd4?…

hackaday.com/2025/12/30/tulip-…

Il commento più chiaro sul caso Hannoun è (come spesso accade) quello del giornalista Sergio Scandura

Quali che siano le posizioni di ciascuno sul 'tema', sembra che non sia chiara a molti una dirimente 'stronzatina': le attività di intelligence trasposte pari-pari in una indagine della procura non sono consentite e si confida che sia ancora così per uno Stato di Diritto e non il suo opposto. Altrimenti, la 'giudiziaria' diventa un mera polizia politica, idem la magistratura 'requirente'. Valga per qualsiasi attività di intelligence: che provenga da Servizi italiani e non, che provenga da apparati al servizio del destinatario di un mandato di cattura emesso dalla Corte Penale Internazionale e non.

In materia di "trasposizioni" il caso Iuventa è quello più recente e più indicativo - già vergognoso di suo per come venne imbastito, concluso poi col proscioglimento delle ONG davanti al GUP di Trapani dopo sette anni (sette) di procedimento e accuse infamanti di contiguità coi trafficanti libici rese virali a mezzo stampa - ha ancora molto da 'insegnare'. L'elenco è lungo e si potrebbero pur mettere in inventario molti altri casi recenti finiti nel nulla.

"Vi è il pericolo che si privilegino discutibili strategie intese a valorizzare ai fini di una condanna, elementi sufficienti solo per aprire un’inchiesta",

scriveva Giovanni Falcone nel libro Cose Di Cosa Nostra, scritto a quattro mani con Marcelle Padovani.

"Trascurare l’accertamento dei singoli reati-fine imputabili ai membri delle organizzazioni mafiose, ritenere di poter far derivare la responsabilità degli imputati in ordine al delitto di associazione per delinquere soltanto da «indizi» che consentono di qualificare gli imputati stessi come mafiosi, significa incamminarsi per una falsa scorciatoia, illusoria quanto pericolosa; una siffatta impostazione è suscettibile di interpretazioni soggettive ed arbitrarie, e i ripetuti insuccessi giudiziari di indagini istruttorie condotte con tale metodo costituiscono la riprova che tale via non è praticabile"*:

sostennero Giovanni Falcone e Giuliano Turone al convegno Tecniche Di Indagine In Materia Di Mafia, tenuto a Castel Gandolfo nel lontano giugno 1982. Passaggi che tornano alle mente.

A Falcone (giustamente) interessava vincere i processi di Mafia: e non certo perderli per scivolose vie politiche o gestioni mediatiche 'a sbraito' sempre impiattate per via politica.

L'accusa

"è largamente costruita su elementi probatori e valutazioni giuridiche di fonte israeliana"

senza possibilità alcuna di controllo e verifica ed

"è singolare che la prova di possibili collegamenti tra i destinatari di queste somme e Hamas sia data solo da report che vengono dall’autorità militare israeliana o dai loro servizi segreti"

ha osservato ieri Alessandro Diddi sul Messaggero.

"Va verificata la modalità con cui sono state recepite dalle autorità italiane" le informative israeliane e "sarebbe grave" se fosse un "recepimento atipico in assenza di attività di riscontro"

osserva Giandomenico Caiazza oggi sul Domani.

L'inchiesta Hannoun lascia dubbi sul terreno anche a giuristi e avvocati che non sono certo cooptabili all'archetipo 'toghe rosse'.

Ove non bastasse, in delle due inchieste già archiviate a carico di #Hannoun, quella del 2010, procura e GIP hanno entrambi convenuto e ritenuto come materiale israeliano sia

"impossibile da utilizzare perché spesso raccolto senza l'osservanza dei principi fondamentali che regolano l'acquisizione delle prove nel nostro ordinamento".

Come spesso accade da quel tot di decenni a questa parte, che il Cossiga ministro dell'Interno sembra un ricordo lontano e non dovrebbe esserlo se la Memoria ha ancora un futuro, il rischio è che poi si vada ritualmente per pericolose scorciatoie da puro frontismo e 'guadagno' politico, con patente cambio di 'destinazione d'uso': da un Stato Di Diritto a uno Stato Di Polizia. A maggior ragione 'oggi' in epoche di tossiche viralità social, pure spesso gestite dai leader in capo delle nazioni. Putin ringrazia, Trump e 'Bibi' pure, sustainer retequattristi idem.

Chissà se si potrà mai riflettere su queste 'stronzatine' senza che i frontisti-a-sbraito ti diano del filo Hamas o dell'antisemita: ma la vedo dura.

Shalom Chaverim

@politica